CARNE, COBRE / CUERPO, COME, 2021-2022
Carne,Cobre/Cuerpo Come explores the ways in which language is embodied, and how it functions as a psychosomatic mediator between subjects and their experiences in time and space.
Parting from the repeated use of materials and symbols, each work restores agency to the body through the signification, re-signification and de-signification of the elementary particles of language, while exploring the body as a linguistic gesture in perpetual movement. Within this exploration, a central question arrises: how are words embodied, and what effect (and affect) do they have on the psyche and flesh of the collective body?
Recent research in neuroscience suggests that neurons that code language evolved from older cells which register physical sensations as a body moves through space. As a consequence, words are coded much like three-dimensional objects, and stringing them together (thinking and speaking) registers neurologically as movement. Seen this way, words can be considered embodied beings in motion.
Entwined with thought, language is a fundamental experience in recognizing ourselves in the world. As such, it is essential to explore the visceral relationship between body and word that results from the daily exercise of naming and experiencing corporeality in relation to our environment. The feeling of being an “I,” a thinking mind, contained within a capsule of skin, comes from a long evolution of algorithms, genetic and cognitive, that enable the construction of a coherent and stable reality.
One of these algorithms exists as DNA, which despite being foundational and engrained, also allows for the evolution of the body through the activation and deactivation of genes triggered by the environment, culture and lived experiences, as explored by the field of epigenetics. As a bridge between body, consciousness and the world, the words we learn and utter may act as epigenetic agents, changing our bodies from the inside out.
Another embodied pattern is proposed by cognitive scientist and philosopher, Noam Chomsky, who proposes that human language is recursive; explaining why the brain follows steps, observes and learns patterns, and completes those patterns with infinite complexity without being conscious of having learned them in the first place. In this line of thinking, our bodies are born with language.
In addition to exploring the relationship between body and consciousness, the materials in Carne,Cobre/Cuerpo Come highlight the interface between body and earth: calcium in the bones, copper in the muscles, and iron flowing in the blood. In this morphological exploration of world and body where symbols and words come from inside and out, Jamie Denburg Habie’s gestures can be considered rituals to unearth "flesh in words, and letters in the body."
Text by Javier Ajú y Cristian Toj
Galería La Extra
Guatemala City, February 2022